Aida Ruilova
Born in 1974, in Wheeling, West Virginia. Lives and works in New York.
Selected solo exhibitions
2011
Salon 94 Bowery, New York
2010
Goner, Centro de Arte Contemporáneo La Conservera, Murcia, Spain
Galerie Guido W. Baudach, Berlin
francesca kaufmann, Milan
2009
Museum of Contemporary Art Cleveland, Cleveland (September – January 2010)
Contemporary Art Center New Orleans, New Orleans
Hammer Projects, Hammer Museum, Los Angeles
Aïda Ruilova: The Singles 1999-Now, The Banff Centre, Walter Phillips Gallery, Banff Canada
2008
Aïda Ruilova:The Singles 1999-Now, Aspen Art Museum, Aspen, traveling to Contemporary Art Museum St. Louis, Saint Louis
Two-timers, Galerie Guido W Baudach, Berlin
Sketch Gallery, London
2007
The Silver Globe, The Kitchen, New York, NY
Lulu, Salon 94, New York
2006
Vilma Gold, London
Countdowns, francesca kaufmann, Milan, Italy
2005
Lets Go, Greenberg Van Doren Gallery, NY
Endings, Franklin Art Works, Minneapolis, MN
2004
Projektrum: Aïda Ruilova, Gallery Charlotte Lund, Stockholm, Sweden
Lets Go, The Moore Space, Miami, FL
2003
Untitled, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, NY
2002
Come to Life, Salon 94, in collaboration with Artemis Greenberg Van Doren Gallery, NY
2000
White Room, White Columns, NY
Selected group exhibitions
2012
Armitage Gone Dance, Abrons Arts Center, New York
2011
Expanded Territory, KAI10 | Arthena Foundation, Dusseldorf, curated by Zdenek Felix Commercial Break, curated by Neville Wakefield Garage Projects, 54th Venice Biennale
Flash: Light, Festival of ideas, New Museum, New York
Haunted: Contemporary Photography/Video/Performance, Guggenheim, Bilbao
Ars Apokalipsis. Kunst und Kollaps, Kunstverein Kreis Güthersloh, Güthersloh
2010
Art in the Auditorium 2, Ballroom Marfa, Marfa, TX (traveling to Whitechapel, London and GAMeC, Bergamo)
2009
Las Linea de la Mano, Museo Universitario de Arte Contemporaneo, Mexico City Black Mondays, Kathleen Cullen Fine Arts, New York, curated by Thomas McDonell
2008
Slightly Unbalanced, Chicago Cultural Center, Chicago, IL
Sympathy for the Devil: Art and Rock and Roll Since 1967, Musée d’art contemporain, Montreal
Tarantula, Fondazione Nicola Trussardi, Milan
Busan Biennial, Busan Museum of Contemporary Art, Busan
2007
Between Two Deaths, ZKM Media Museum, Karlsruhe
Sympathy for the Devil, Museum of Contemporary Art, Chicago
Exhibitionism, CCS Bard Hessel Museum, New York
Pensee Sauvage, Kunstverein Frankfurt
Pale Carnage, Arnolfini Bristol and Dundee Contemporary Art Center, Dundee
Koln Show 2, European Kunsthalle, Cologne
2006
INTO ME / OUT OF ME, KW Institute for Contemporary Art, Berlin
Containers at Art Basel Miami Beach in collaboration with Kelly Nipper
Six Feet Under (untitled as of may 2006) Kunstmuseum Bern, curator, Bernhard Fibicher
La grande geste / The big scene/ Emotionality in Recent Video Art, Magazin 4, Bregenz
Good Vibrations, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy
The Beat, Haswellediger gallery, New York
The Berlin Biennale, curated by Maurizo Cattelan, Massimilano Gioni and Ali Subotnik
Mixed Emotions, Haifa Museum of Art, Haifa, Israel curated by Tami Katz-Freiman
2005
Uncertain States of America, Astrup Fearnley Museum of Art, Oslo, Norway, curated by
Gunnar B. Kvaran, Daniel Birnbaum, Hans Ulrich Obrist
The Pantagruel Syndrome, T-I: Torino triennale, curated by Francesco Bonami & Carolyn
Christev-Bakargiev, organized in conjuction by the Castello di Rivoli Museo d’Arte
Contemporanea, the GAM Galleria Civica d’Arte Moderna e Contemporanea di Torino and
Fondazione Sandretto Re Rebaudengo
Rock Music, Center and Gallery P74, Ljublijana, Slovenia
Kelly Nipper – Aïda Ruilova, galleria francesca kaufmann, Milan, Italy
Marking Time, curated by Glenn Phillips, 14th screening at the Getty Research Institute, Los Angeles, CA
RE-IMAGINIG HER, University Film Series, California State University, Chico, CA
Reverse Engineers, Carnegie Art Center, North Tonawanda, NY curated by Kye Potter and
Julia Szwonkoski
The difference between you and me, Ian Potter Museum, University of Melbourne, Victoria, Australia
IRREDUCIBLE: Contemporary Short Form Video, 1995-2005, curated by Ralph Rugoff, CCA, Wattis Institute, San
Francisco, CA; Miami Art Central Museum, Miami, FL; Bronx Museum, Bronx, NY
2004
Phillip: Divided by Lightning, Deitch Projects, Brooklyn, NY; with John Connely Presents
Movimento/Movimenti, curated By Francesco Bonami, in association with la Biennale di
Venezia, Italy
Black and White, Greenberg Van Doren Gallery, New York, NY
Eflux Video Rental, Eflux, New York, NY
Beginning Here: 101 Ways, Visual Art Gallery, School of Visual Arts, New York, NY curated by Jerry Saltz
The Sixth Annual Altoids Curiosly Strong Collection, Pennsylvania Academy of Fine Arts,
Philadelphia, PA
Supernatural, Zurcher Gallery, Paris, France
Collector’s Cabinet, Marck Selwyn, Los Angeles, CA
Disturbing the Peace, Danese Gallery, New York, NY
It’s about memory, Rhona Hoffman Gallery, Chicago, IL, curated by Simon Watson
Whitney Biennial, Whitney Museum of American Art, New York, NY
I, Assassin, Wallspace, NY, curated by Slater Bradley
Suspended State, Center of Curatorial Studies, Bard College, Annandele-on Hudson, NY
Possessed, Western Bridge, Seattle, WA
Unplugged, Galleria Civica di Arte Contemporanea di Trento, Italy
2003
Strange Days, Museum of Contemporary Art, Chicago, IL
From the Flat Files, Ramp Gallery, Waikoto Institute of Technology,Hamilton, New Zealand, curated by Amada Cruz
Clandestines, 50th La Biennale di Venezia, Venice, Italy, Prague Biennale, Prague, Czech Republic
The Lengths, Center for Curatorial Studies, Bard College, Annandale-on- Hudson, NY
New Museum at Field Day, curated by Dan Cameron, Field Day, Long Island, NY
I See A Darkness, Blum & Poe, Los Angeles, CA
2002
Teenage Rebel: The Bedroom Show, John Connelly Presents, NY
Videodrome II, The New Museum of Contemporary Art, NY
Monitor II, Gagosian Gallery, NY
Altered States, Stefan Stux Gallery, NY
2001
Downtown Arts Festival, organized by Simon Watson, NY
Special Projects, P.S.1 Contemporary Art Center, Long Island City, NY
Casino 2001, Stedelijk Museum Kunst Gent (S.M.A.K), Gent, Belgium
2000
Collectors Choice, Exit Art, New York, NY
1999
LIFER, Cardozo School of Law, Rove, NY, curated by Kenny Schachter
Hi-8, Museu Nacional de Historia Natural, Lisbon, Portugal
Projects
2004
Videokunst: Geist, Gemeinschaft und Tschai, Locus, Athens, Greece
artFORCE, Plum TV, Art Production Fund/Yvonne Force Inc.
2003
Impakt Festival 2003, Central Museum, Utrecht, The Netherlands
Images Festival, Toronto, Canada
Video Program, School of Visual Arts, NY
2002
The Dialogue, film/video screenings and discussion, Thomas Erben Gallery, NY
2001
Impakt Festival 2002, Central Museum, Utrecht, The Netherlands
2000
Stichting Lazymarie Video Fest, The Netherlands
Kill Rock Stars Video Compilation #2, music video for band Derrhoof
1999
Slattery for Ungdom, Alva, album, Menlo Park Recordings, NY
1997
Fair-Haired Guillotine, Alva, Compact disc, Avant, New York, NY
New Directors / New Films, Museum of Modern Art, Alva, soundtrack for animated feature film “Calendar the Siamese” by Lewis Klahr
1996
7th Annual Independent Filmmakers Night, Tampa Museum of Art, FL
Selected public collections
Altoids Curiously Strong Collection, The New Museum, New York
Bard College, Annandale-on-Hudson, New York
Solomon R. Guggenheim Museum, New York
Stedelijk Museum Kunst Gent (S.M.A.K), Gent, Belgium
Education
2001
MFA, School of Visual Arts, New York, New York
1999
BFA, University of South Florida, Tampa, Florida
Awards
2005
Shortlisted to the Hugo Boss prize
2002
ArtPace Residency & Fellowship, San Antonio, TX, selected by Francesco Bonami
2001
Rema Hort Mann Foundation Grant
Selected Bibliography
Catalogs
2010
Cream, Phaidon Press (text by Elena Filpovic)
David Ross, Christine Van Assche, 100 Video Artists, Exit Publications, Madrid
2008
That’s The Way It Is, exh. cat. Galerie Guido W. Baudach (Ed.), Berlin
Aïda Ruilova. The Singles: 1999-Now, exh. cat. Aspen Art Museum / Contemporary Art Museum St. Louis (Ed.), St. Louis
Slightly Unbalanced, exh. cat. Chicago Cultural Center (Ed.), Chicago
2007
Sympathy for the Devil: Art and Rock and Roll Since 1967, exh. cat. Museum of Contemporary Art, Chicago (Ed.), New Haven
Held Together With Water. Kunst aus der Sammlung Verbund, Gabriele Schor (Ed.), Ostfildern
between two deaths, exh. cat. ZKM, Ellen Blumenstein/Felix Ensslin (Ed.), Ostfildern
Köln Show 2, Nicolaus Schafhausen/Florian Waldvogel (Ed.), Cologne
The Hugo Boss Price 2006, exh. cat. Guggenheim Museum, New York
Lorenzo Fusi and Marco Pierini, Numerica, exhibition catalogue, Silvana Editoriale, pp. 33 – 37
Ursula Blicke and Frankfurter Kunstverein, Pensée sauvage – Von Freiheit, exhibition catalogue, Revolver, 2007, pp. 198 – 204
2006
Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, Of Mice and Men exhibition catalogue, Hatje Cantz Verlag, 2006, pp. 232 – 233
2005
The Greater New York, exh. cat. P.S.1 Contemporary Art Center, Klaus Biesenbach (Ed.), New York
2004
Joyce Pomeroy Schwartz Transitory Patterns: Florida Women Artists, exhibition catalogue, National Museum of Women in the Arts, Washington DC
Whitney Biennial, exhibition catalogue, Whitney Museum of American Art, New York, NY
2003
Venice Biennial, Dreams and Conflicts-The Dictatorship of the Viewer, exhibition catalogue, Venice, Italy, pp. 92 – 109
Linda Pace, Dreaming in Red: Creating ArtPace, ArtPace, San Antonio, TX, p. 292
Periodicals
2007
Alle Papesse arte e numeri, Arte e Critica, XIV, n. 51, June-August
2006
Roberta Smith, The Berlin Biennale, NY Times, May 7
Moreno Gean, Aïda Ruilova, Contemporary Magazine, February
2005
Adam Mendelshohn, Lets Go, ArtReview, July
Don’t Miss!, Time Out New York, May 5 – 11, p. 74
Rebecca Cascade, Making a Scene, Elle Magazine, May, p. 122
Andrea Scott, Local Heroes, Time Out New York, March 31-April 6
Jerry Saltz, Lesser New York, The Village Voice, March 28
Michael Kimmelman, Youth and the Market: Love at First Sight, The New York Times, March 18
2004
Pamela M.Lee, Crystal lite, Artforum, May
Michael Wilson, I, Assassin, Wallspace, NY, Frieze, Issue 83, May
Roberta Smith, Art that speaks to you. Literally, The New York Times, March 7
Holland Cotter, Duck! Its the Whitney Biennial Season Again, The New York Times, March 7
goner
2010
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goner
2010
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meet the eye
2009
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meet the eye
2009
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meet the eye
2009
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meet the eye
2009
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two timers
2008
installation view, galerie guido w. baudach, berlin
two timers
2008
installation view, galerie guido w. baudach, berlin
high art nude
2008
c-print relief
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quick read
2008
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c
2008
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door
2008
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f for fake
2008
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the passion of joan
2008
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story of o
2008
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unmoralische
2008
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x
2008
c-print relief
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lulu
2007
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lulu
2007
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life like
2006
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ok
2005
5 channel video installation
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countdown
2004
double channel projection
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countdown
2004
double channel projection
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lets go
2004
single channel video
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countdown
2004
double channel projection
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uh oh
2004
5 channel video installation
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it had no feelings
2003
single channel projection
come here
2002
single channel video
duration 29’’
almost
2002
single channel video
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tuning
2002
video
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ah ahh ah
2001
2 channel video
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the stunn
2000
single channel video
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you're pretty
1999
single channel video
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beat & perv
1999
single channel video
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