Shannon Ebner
Born in Englewood, New Jersey in 1971. Lives and works in Los Angeles.
Upcoming solo exhibition
2013
Sadie Coles, London
2014
kaufmann repetto, Milan
Selected solo exhibitions
2013
A Language of Exposures, Wallspace, New York
2012
Language Is Wild, Dia Art Foundation, Artists’ Web Project
2011
Hammer Museum/LAXART, Los Angeles, curated by Anne Ellegood
2010
Signal Hill, Altman Siegel Gallery, San Francisco
kaufmann repetto, Milan
2009
Invisible Language Workshop, Wallspace, New York
2007
Special Project: Shannon Ebner, P.S.1 Contemporary Art Center, New York
The Sun & the Sign, Wallspace, New York
2005
Dead Democracy Letters, Wallspace, New York
2003
Margo Victor Presents, Los Angeles
Selected group exhibitions
2012
Ecstatic Alphabets, MoMa Museum of Modern Art, New York, curated by Laura Hoptaman
2011
ILLUMInations, 54th Venice Biennale, directed by Bice Curiger
Glee, Blum & Poe, curated by Cecilia Alemanni, Los Angeles
Vision is Elastic. Thought is Elastic, Murray Guy, New York, NY, curated by Moyra Davey and Zoe Leonard
The Spectacular of Vernacular, Walker Art Center, Minneapolis, MN
How Soon is Now, The Garage Center for Contemporary Culture, Moscow
The Smithson Effect, Utah Museum of Fine Art, Salt Lake City, UT
2010
Prix Fondation Luma, Rencontres de photo d’Arles, Arles, France, curated by Hans-Ulrich Obrist
6th Berlin Biennale of contemporary Art, Berlin, curated by Kathrin Rhomberg
Papier Photo, Chez Valentin, Paris, curated by Sophie Berrebi and Frederique Valentin
Pleated Blinds, Petach Tikva Museum of Art, Tel Aviv, Israel, curated by Ory Dessau
California Dreaming, Arte Portugal, Lisbon
The Page, curated by John Stezaker and Matthew Higgs, Kimmerich, New York, NY
At Home / Not At Home – Works from the Collection of Martin and Rebecca Eisenberg, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY
2009
Time – Life Part II, Taxter & Spengemann, New York
Character Generator, Eleven Rivington, New York, curated by Matthew Lyons
Sundown, Office Baroque, Antwerp, Belgium
Saints and Sinners, The Rose Art Museum, Waltham, curated by Laura Hoptman
A Wild Party and a New Road, Altman Siegel Gallery, San Francisco
2008
Catawampus, Midway Contemporary Art, Minneapolis, curated by Amy Granat & Matt Keegan
The World Is All That Is The Case, Hudson Franklin, New York, curated by Arthur Ou
Untitled (Vicarious), Gagosian Gallery, New York
Imaginary Thing, Aspen Art Museum, Aspen, USA, curated by Peter Eleey
History Keeps Me Awake at Night: A Geneology of Wojnarowicz, PPOW, New York
Not So Subtle Subtitle, Casey Kaplan, New York, curated by Matthew Brannon
The 2008 Whitney Biennial, The Whitney Museum of American Art, New York, curated by Henrietta Huldisch and Shamim M. Momin
2007
I am Eyebeam, Gallery 400 at the University of Illinois at Chicago, Chicago, curated by Melanie Schiff and Lorelei Stewart
Catawampus (for H.D.), Shane Campbell Gallery, Oak Park, USA, curated by Matt Keegan
A New Reality: Black-and-White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, New Brunswick, USA
Learn to Read, Tate Modern, London, curated by Vincent Honore and Maeve Polkinhorn
Last Attraction Next Exit, Ridley Road, London, curated by Neville Wakefield
Shared Women, LACE, Los Angeles, curated by Eve Fowler, Emily Roysdon and A.L. Steiner
2006
Interventions, Thomas Solomon Gallery, Los Angeles
Psychogeographies, Glendale College of Art Gallery, Glendale, USA
Uncertain States of America: American Art in the 3rd Millenium, Serpentine Gallery, London, curated by Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist
Cataract, Wallspace, New York
The California Biennial, Orange County Museum of Art, Los Angeles
Intersections: Atlanta Collects Photography, High Museum of Art, Atlanta
Shifting Tropologies, Herter Gallery, University of Massachusetts, Amherst, USA, curated by Trevor Richardson
Locale, Margo Leavin Gallery, Los Angeles, curated by Kris Kuramitsu
Too Much Love, Angles Gallery, Los Angeles, curated by Amy Adler
Le Retour de la Colonne Durutti, Isabella Bortolozzi, Berlin, curated by Gyonata Bonvincini
Trace, The Whitney Museum at Altria, New York, curated by Shamim M. Momin
Chaos or Control, UCLA School of Architecture Gallery, Los Angeles, curated by James Welling
Aantekeningen, Expodium, Utrecht, The Netherlands, curated by Public Holiday Projects
2005
The Plain of Heaven, New York, curated by Peter Eleey for Creative Time
Talk to the Land, Andrew Kreps Gallery, New York, curated by Matt Keegan
Response, Morlan Art Gallery, Transylvania University, Lexington, USA, curated by Matthew Distel
Wordplay, Julie Saul Gallery, New York
Post No Bills, White Columns, New York, curated By Matthew Higgs
Sugartown, Participant Inc., New York
The Picture is the Problem, The Pelham Art Center, Pelham, curated by Walead Beshty
Monuments for America, CCA Wattis Institute for Contemporary Arts, San Francisco and White Columns, New York, curated by Ralph Rugoff
Manufactured Self, The Museum of Contemporary Photography, Chicago
Uncertain States of America: American Art in the 3rd Millenium, Astrup Fearnley Museum of Modern Art, Oslo, curated by Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist (travelling to venues in France and Poland)
2004
High Desert Test Site 4, Joshua Tree
Strange Animal, LACE, Los Angeles
Itineraries, Gallery Luisotti, Los Angeles, curated by Christopher Balaschak,
2003
High Desert Test Site 3, Joshua Tree
Sea, Jen Bekman, New York, curated by Benjamin Donaldson and Lisa Kereszi
2002
Anti-Form, New Photographic Work from Los Angeles, Society for Contemporary Photography, Kansas City, curated by James Welling
Project Room exhibition, Lemonsky: projects + editions, Los Angeles
2000
Graduate Thesis Exhibition, Yale University Art Gallery, New Haven
1998
Illegal Performance (an experimental-text-based performance), The Judson Church, New York
Pedestrian Union, St. Mark’s Poetry Project, New York
Selected Bibliography
Monographs
2009
Shannon Ebner, Shannon Ebner: The Sun as Error, LACMA Los Angeles County Museum of Art
Selected Books and Catalogues
2011
Bice Curiger, La Biennale di Venezia 54. Esposizione Internazionale d’Arte, exhibition catalogue, Marsilio
Editori, Venezia
2010
Alex Klein, Charlotte Cotton, James Welling and Kevin Moore, Words Without pictures, Aperture Ideas
Book, Los Angeles
2008
Henriette Huldisch and Shamim M. Momin, Whitney Biennial 2008, exhibition catalogue, Whitney
Museum of American Art, New York
2006
Elizabeth Armstrong, Karen Moss and Rita Gonzalez, California Biennial 2006 Catalogue, exhibition
catalogue, Orange County Museum of Art, Los angeles
Selected Periodicals
2011
Chiara Guidi, Shannon Ebner/ Thea Djordjadze, Flash Art, February, p. 94 2010 Michele d’Aurizio, kaufmann repetto, Kaleidoscope issue 08
Tom McDonough, Concrete Poetry, Artforum, April 2010, pp. 148-155
Christy Lange, No End in Sight, Frieze, April
2007
Matthew higgs, Shannon Ebner, the Sun & the Sign, Artforum, December 2007
Lauren O’Neill-Butler, Shannon Ebner, Time Out Reviews, March 8-14 issue 597 2006 Hans Ulrich Obrist, Trisha Donnelly & Shannon Ebner, Art Review, October 2005 Peter Beey, Shannon Ebner, Frieze, issue 92
Roberta Smith, Shannon Ebner, Dead Democracy Letters, The New York Times, Art in Review, March 18 Rebecca Cascade, Character Building, Shannon Ebner’s witty installations and stark photography are hardly politics as usual, Elle Magazine
2004
Holly Myers, The city of L.A., gauzy but familiar, Los Angeles Times, August 20 Michael Ned Holte, Itineraries, Artforum
redacted A
2012
archival pigment print
cm 111,8 x 152,4
ecstatic alphabets
2012
installation view, MoMa, new york
ecstatic alphabets
2012
installation view, MoMa, new york
ecstatic alphabets
2012
installation view, MoMa, new york
ecstatic alphabets
2012
installation view, MoMa, new york
2011
installation view, hammer museum, los angeles
2011
installation view, hammer museum, los angeles
2011
installation view, hammer museum, los angeles
2011
installation view, la><art, los angeles
and, per se and
2011
installation view, la><art, los angeles
and, per se and
2011
installation view, la><art, los angeles
from the electric comma series (a.l.n.g.u.e.*.f.x.p.s.r.)
2011
chromogenic print, cm 610 x 320, illuminations, installation view, 54th venice biennale, venice
from the electric comma series (a.l.n.g.u.e.*.f.x.p.s.r.)
2011
chromogenic print, cm 610 x 320, installation view, "illuminations", 54th venice biennale, venice
illuminations
2011
installation view, 54th venice biennale
eksiz
2011
chromogenic print
cm 160 x 100
eks
2011
chromogenic print
cm 160 x 100
xis
2011
chromogenic print
cm 160 x 122,5
2010
installation view, berlin biennal
2010
installation view, berlin biennal
gloria
2010
six chromogenic prints
cm 160x122 each
(...)
2010
cinderblocks, cement and bricks
cm 300 x 200 x 20
untitled (asterisk)
2010
chromogenic print
cm 160 x 122
etc.
2010
chromogenic print
cm 160 x 122
some clouds
2009
chromogenic print
cm 80 x 112
the sun as error
2009
chromogenic print
cm 107 x 82
the sun as error
2010
chromogenic print
cm 82,5 x 77
untitled (strike)
2009
chromogenic print
cm 160 x 122
blank field
2009
chromogenic print
cm 160 x 122
erratum cum laude
2009
chromogenic print
cm 61 x 48
2008
installation view, whitney biennial, new york
the leaning tree
2002/2008
chromogenic print
cm 86 x 127
the crooked sign
2006
chromogenic print
cm 167 x 124
is dead
2006
ink jet prints, wheatpaste, gesso, plywood panels
cm 244 x 488
installation view, the whitney museum, new york
landscape incarceration
2003
chromogenic print
cm 81 x 103
raw war
2004
chromogenic print
cm 52 x 60